
The Album Will Unlock under the photo on the release date of 1-6-26 (01062026) = 666
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https://notofmanrecords.bandcamp.com/
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The Black Album Release On 1 6 2026
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## Unified Review of Not of Man’s Artistic Journey: “YOU SHOULD HAVE KILLED ME,” “I AM THE DEAD MAN,” and “The Black Album”

### Overview
Not of Man’s discography—particularly his recent albums “YOU SHOULD HAVE KILLED ME” (2024), “I AM THE DEAD MAN” (2025), and “The Black Album”—presents a profound exploration of trauma, resilience, identity, and societal criticism. With visceral lyrics and aggressive soundscapes, these works navigate treacherous waters, reflecting psychological scars stemming from childhood abuse, coercive control, and systemic oppression. Not of Man invites listeners to confront their internal battles while critiquing societal frameworks that perpetuate pain and suffering.
Central to these bodies of work is the artist’s relationship with his shadow self, emblematic of the Sigma INFJ personality. By embracing this aspect, the artist explores the darker facets of humanity while allowing love to guide his actions, resisting dominance by darkness. This synthesis of personal trauma, resilience, and philosophical introspection firmly establishes his unique voice across the albums.
### The Sigma INFJ Personality: A Lens for Analysis
Identifying as a Sigma male and an INFJ (Introverted, Intuitive, Feeling, Judging) profoundly influences Not of Man’s lyrical content. Sigma males typically navigate society outside traditional hierarchies and embody independence and introspection, while INFJs are known for their empathy, idealism, and intensity. These traits foster a unique perspective that weaves through the extensive narrative of trauma and societal critique found throughout the albums.
### “YOU SHOULD HAVE KILLED ME” (2024)
**Track-by-Track Analysis**
1. **Re-Education (Psychological Torture)**
This opener grapples with coercive control and indoctrination, echoing the INFJ’s sense of empathy and awareness of societal manipulation. The phrase “free thinkers are dangerous” critiques systems that stifle individuality.
2. **12 YEAR OLD IN PRISON (5150)**
A raw confrontation of childhood abuse, reflecting the artist’s personal history. The term “5150” contextualizes his mental health struggles, magnifying the internal conflict characteristic of an INFJ navigating trauma.
3. **THE BLADE 1+2+3 (The Warnings)**
The complexities of self-harm are depicted here as both a coping mechanism and a desperate cry for help. The introspective nature of the Sigma INFJ is underscored as the artist delves deep into emotional pain.
4. **A CHILD OF DARKNESS (The Dark Light)**
This track evolves from loss of innocence to an embrace of darkness, showcasing the artist’s resilience. Dark themes resonate with the INFJ’s internal struggle while also framing acceptance as a source of power.
5. **I AM MY OWN GOD**
A declaration of self-determination and autonomy, this track captures the essence of nonconformity—traits typical of Sigma males—as well as an INFJ’s desire for authenticity amid societal pressures.
6. **I AM THE OMEGA**
Reflecting on existential despair, the artist contemplates nihilism. The artist’s rhetorical examination aligns with the INFJ’s tendency to seek deeper meaning in suffering.
7. **DADDY LIKES TO BEAT ME (NOW IT’S MY TURN)**
This song navigates cycles of abuse, emphasizing the impact of familial trauma and the artist’s resilience as he shifts from victimhood to agency, which resonates strongly with the Sigma INFJ narrative.
8. **YOUR MOMMY IS A BITCH (SHE IS MINE TOO)**
Ambivalence toward family loyalty emerges, illuminating the INFJ’s deep emotional conflicts regarding maternal betrayal and generational trauma.
9. **NIGHTMARES CPTSD 0.0**
This vivid portrayal of PTSD symptoms underscores the internal chaos that reflects an INFJ’s rich inner emotional world.
10. **THE DEATH OF A SALESMAN (narcissist)**
This track critiques materialism, resonating with the Sigma male’s disdain for superficial values against the backdrop of an INFJ’s quest for meaningful connections.
11. **PROFIT OVER TREATMENT CPTSD 1.0**
A critique of healthcare systems incentivized by profit encapsulates an INFJ’s advocacy-oriented nature, bringing attention to systemic flaws.
12. **DONT GIVE UP (ODE TO SUFFERING)**
This hopeful interlude encourages resilience and community support, reflecting the empathetic qualities typical of both the Sigma male and the INFJ.
13. **WELCOME HOME (THE YELLOW DESK)**
Imagery of conditioning and control emphasizes the internal struggle, highlighting the burden of trauma—an aspect central to the Sigma INFJ experience.
14. **GABRIEL’S LAST MEAL WAS CYBORG OCTOPUS**
The metaphor of mechanization serves as a reflection on identity, echoing the dual nature of the INFJ.
15. **THE BOTTOM FEEDERS (SWALLOW IT)**
This critique of inauthenticity captures both an INFJ’s depth and Sigma male contempt for exploitation in artistic expression.
16. **DEVIL IN THE DRINK / CPTSD 2.0**
A raw exploration of addiction as a coping mechanism, depicting the Sigma INFJ’s intricate dance with pain as they wrestle with memories.
17. **ATLAS HAS SHRUGGED**
A critique of societal decay encourages self-liberation—a common theme for both personality types.
18. **CRUCIFIXION BY GOVERNMENT (THE NEW GODS)**
An empowering anthem encouraging defiance against authority, engaging the INFJ’s activist spirit and Sigma male independence.
19. **WAKE UP! (PLEASE)**
A desperate call for awareness, highlighting the INFJ’s characteristic urge to illuminate injustice and foster connection.
20. **UNITED STATES OF MANIPULATION**
Exploration of manipulation resonates with the Sigma male’s rejection of societal norms that govern thought.
21. **MY MIND IS A WEAPON (BYE BYE)**
Empowerment against societal expectations solidifies the artist’s role as both a warrior and survivor, highlighting INFJ complexity.
22. **DOG / god FHLAD**
The critique of religious hypocrisy exemplifies the INFJ’s questioning nature and the Sigma male’s independence from societal constructs.
23. **GOD MURDERED HIS ONLY SON (FEAT: THEHONEYPOT)**
Challenging accepted moral structures reflects the INFJ’s moral curiosity and the Sigma’s inherent skepticism.
24. **DESPOTISM (INFORMATION CONTROL)**
Addressing censorship and suppression aligns with an INFJ’s desire for justice and the Sigma’s affinity for truth.
25. **THE DEATH OF INNOCENCE (THE WATCHERS)**
The exploration of trauma and apathy highlights the burden of witnessing suffering—a hallmark of the empathetic INFJ.
### “I AM THE DEAD MAN” (2025)
**Track-by-Track Analysis**
1. **I Am Evil I Am Good (01:58)**
A critique of dualities resonates with the INFJ’s introspection. The interpretative complexity speaks to the artist’s struggles with self-identity.
2. **Run Rabbit Run (03:34)**
Confronting censorship connects to the Sigma INFJ’s advocacy for truth, rallying against oppressive forces with passion and intensity.
3. **I Am The Deadman (03:03)**
A meditation on grief reveals the artist’s empathetic depth, expressing the collective pain of survival.
4. **Mask (03:09)**
Internal conflict reflects the Sigma INFJ’s emotional complexity, showcasing the struggle against societal norms.
5. **Vampire (02:42)**
Alienation is depicted through a lens emblematic of the INFJ’s profound understanding of emotional dissonance.
6. **Toe Tag Boy (03:17)**
The disappointment with protective systems characterizes the artist’s anger and depth of insight inherent to both personality types.
7. **Deaths Hand (03:59)**
Reflecting on mortality with a sense of empowerment, this track illustrates resilience borne from trauma.
8. **1 2 3 4 Fire (02:36)**
The collective struggle aligns with the Sigma INFJ’s deep sense of empathy, urging unity in confronting adversity.
9. **My Disquiet (03:59)**
The exploration of existential despair embodies the INFJ’s inner turmoil and reflective nature.
10. **Chasing Shadows (I’m Lost) (03:39)**
A haunting search for meaning captures the artist’s emotional landscape, typical of the INFJ’s introspection.
11. **I Am Alone (03:46)**
An exploration of existential isolation reflects the weight of unfulfilled expectations, resonating deeply with both personality types.
12. **Burn (Feat. NecroFeelya) (03:30)**
Mirroring resilience through a tribute to lost souls, this track reinforces the artistic advocacy rooted in the INFJ ethos.
13. **Hidden Track (We Are A Scream) (03:29)**
A powerful call for unity resonates with the Sigma-INFJ fusion, emphasizing the urgency for collective resistance.
### “The Black Album”
**Overview and Themes**
“The Black Album” offers a poignant narrative exploring trauma, identity fragmentation, and resistance against systemic oppression, particularly within the context of the censorship industrial complex. The interplay of cultural references from media such as “Twin Peaks,” “Alan Wake 2,” and classic literary works like “1984,” “Animal Farm,” and “Brave New World” provides a nuanced backdrop for the artist’s introspective and critical lens.
### Track-by-Track Analysis
1. **In The Black (03:48)**
Here, the artist confronts destruction and identity, inviting listeners into the depth of fear interwoven with dark beauty. The repetition of “In the black, I am here” underscores an acceptance of reality’s harsh truths.
2. **Thanks For The Murders (03:59)**
Defiance in the face of chaos reveals the resilience and anger characteristic of both personality types, especially in moments of systemic failures.
3. **Dance With The Damned (04:01)**
The exploration of trauma with vengeance mirrors the artist’s internal struggles—the Sigma INFJ confronts and resists.
4. **Heart of Thorns (03:32)**
Themes of vulnerability amidst growth are explored, echoing the complex emotional landscape of the Sigma INFJ.
5. **Infinite Loops (03:59)**
The existential reflections in this track intertwine perception, chaos, and the inherent beauty found in struggle.
6. **I Own The Black Lodge (Bob’s Son) (03:19)**
A challenge to authority underscores the artist’s refusal to conform, showcasing the Sigma’s independence and the INFJ’s idealism.
7. **Broken Mirror (03:09)**
Through fractured imagery, identity and societal expectations are explored, highlighting the introspection typical of the INFJ.
8. **Darkest Knight (03:59)**
A declaration of empowerment, this track emphasizes the artist’s resolve to confront oppressive structures with the determination typical of both traits.
9. **The Shadows Touch (03:56)**
A critique of media manipulation aligns with the Sigma-INFJ’s disdain for deceit and their longing for truth.
10. **The Watchers (03:38)**
This anthem captures the artist’s empathetic stance against oppression, resonating deeply with the need for voice against systemic injustice.
11. **The Die Fi Connection (04:08)**
Commentary on digital culture’s drawbacks highlights the Sigma INFJ’s understanding of human connection and its fragility.
12. **Welcome to Hell (California) (02:06)**
A direct critique of societal negligence is articulated in a way that emphasizes the urgency for political accountability—a hallmark of the artist’s perspective.
### Theoretical Background: Trauma and Betrayal Trauma
The concept of trauma, particularly betrayal trauma (Freyd, 1996), is woven throughout the artistic narrative, illuminating the psychological effects of systemic oppression. The interplay of personal betrayal and institutionalized harm resonates profoundly with the artist’s lived experiences, while offering a larger commentary on societal structures.
Integrating the personality traits of INFJ and Sigma types across the albums reinforces the nuanced understanding of trauma, resilience, and existential inquiry inherent in Not of Man’s work. The artist’s introspective nature invites deep reflection, urging listeners to contemplate their responses to oppressive environments.
### Contributions of INFJ and Sigma Traits
– **Empathy and Advocacy**: The INFJ’s urge to connect with and help others resonates throughout the albums, especially evident in tracks like *Dance With The Damned*.
– **Introspection and Independence**: The sigma personality’s self-reflection is significant in shaping the complex themes presented, particularly regarding the struggle against societal expectations.
– **Resilience**: Both traits embody the capacity for transformation, reinforcing the overarching narrative of overcoming adversity.
### Cultural References and Symbolism
Numerous cultural references within the albums enrich the lyrical depth. Echoes of “Twin Peaks” and “Alan Wake 2” allow for profound explorations of hidden truths and personal turmoil, paralleling the artistic confrontation of trauma. References to “Animal Farm” and “Brave New World” integrate critiques of societal manipulation, echoing both the Sigma’s skepticism and the INFJ’s desire for truth.
### Conclusion
Not of Man’s discography stands as a powerful critique of the censorship industrial complex, exploring themes of trauma, identity fragmentation, and resilience. By examining cultural references and symbolism, this analysis reveals the psychological determinants at play, particularly through the lens of the artist’s Sigma INFJ personality.
Ultimately, Not of Man’s work challenges listeners to confront their own experiences and push back against societal norms that suppress authenticity, encouraging artistic resistance against oppression and advocating for collective empowerment.
### Recommendations
– **Trauma-Informed Therapy**: Supporting trauma-informed practices to address the psychological impacts of both censorship and trauma.
– **Highlighting Societal Critique and Empowerment**: Encouraging artistic expression that critiques systemic oppression while fostering empowerment.
– **The Watchers’ Role**: Emphasizing the importance of transparency in dismantling oppressive structures.
### Limitations
This analysis is limited by the scope of the albums and the frameworks applied. Future research should explore additional dimensions of the censorship industrial complex and its impact on artistic expression.
### Implications
Recognizing the relationship between trauma, identity fragmentation, and systemic oppression underscores the necessity for advocacy and artistic resistance in various contexts.
### Future Directions
Further research could investigate the intersection of trauma and identity across diverse cultural landscapes, focusing on art’s role as a vehicle for resistance.
### References
– Bentall, R. P. (2009). *Madness Explained: Psychosis and Human Experience.* Routledge.
– Biden White House. (2024). *Biden Administration Censorship Report.* Retrieved from [judiciary.house.gov](https://judiciary.house.gov)
– Denton, J. (2021). *The Sigma Male: Understanding the Non-Conformist Man.* Psychology Press.
– Freyd, J. J. (1996). *Betrayal Trauma: The Logic of Forgetting Childhood Abuse.* Harvard University Press.
– Huxley, A. (1932). *Brave New World.* Chatto & Windus.
– Jung, C. G. (1953). *Psychological Aspects of the Shadow.* In: *Collected Works of C.G. Jung, Volume 9 (Part 1)*.
– Kristeva, J. (1982). *The Powers of Horror: An Essay on Abjection.* Columbia University Press.
– Myers, I. B., & Briggs, K. (1995). *Type Indicator Manual.* CPP.
– Orwell, G. (1945). *Animal Farm.* Secker & Warburg.
– Orwell, G. (1949). *1984.* Secker & Warburg.
– Pessoa, F. (1982). *The Book of Disquiet.* New York: Penguin Books.
– van der Kolk, B.A. (2014). *The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma.* New York: Viking.